Director Sharmeen Obaid-Chinoy and writer Fatimah Asghar give perhaps the greatest and most well-paced episode ever.
With just two episodes remaining, Ms. Marvel had the apparently unenviable chore of bringing it all to a climax without abandoning the tight character-focused narrative that has been by far the show’s finest component so far. With the lead-in to Episode 5, “Time and Again,” being genuine time travel, with Kamala (Iman Vellani) falling through a hole into Partition-era India, I was worried that this smaller, intimate drama was going to become unmanageably vast. Fortunately, I didn’t have to worry since Sharmeen Obaid-Chinoy and Fatimah Asghar gave possibly the strongest and best-paced episode to yet.
Rather than starting with Kamala, the episode opens with a newsreel-style opener in which a cheerful 1940s narrator explains the fundamentals of Partition and what it means for Indian nationals after the end of British control. The casualness with which he describes the British decision to partition off a piece of the land and establish a separate country for Muslim citizens while leaving the rest of the large nation secular is terrifying, as is the clinical, voyeuristic description of the following bloodshed and rioting.
Fortunately, the viewer is not supposed to understand Partition and what it means for Kamala’s family just via the lens of one British news show. With the newsreel stating that the root of the violence and unrest started five years previously, in 1942, the episode flashes back to that year, when Aisha (Mehwish Hayat) is fleeing a British soldier. She murders him and flees to a tiny town, where she meets Hasan (Fawad Khan), a young man who holds the locals captive with statements of the need to unify across religious boundaries — Hindu, Sikh, Muslim — and fight for their own independence at whatever cost.
When colonization is discussed in the media, whether from the viewpoint of the colonized or the colonizer, the ones performing the colonizing are often given disproportionate attention. We have a focus on the evil colonizer, whose tactics are more akin to a cartoon villain than the real-life horrors inflicted on most of the world, and then there is the sympathetic one, who really tries to understand the people whose home and way of life have been changed, but ultimately can’t do much about it except maybe help a person or two. Pocahontas from Disney springs to mind, but the pattern is clearly more prevalent than that.
It’s to Ms. Marvel’s credit — and evidence of why it’s so crucial to let individuals create their own tales — that the series doesn’t even attempt. The British troops that arrive to interrupt Hasan’s speech are unnamed. They are mostly faceless since the camera doesn’t stay long enough to get a good look at them. Because they aren’t what is important here. This is entirely Aisha and Hasan’s tale.
Following the encounter with the British, Hasan discovers Aisha napping beneath a tree in his rose garden, definitely on the run. He gives her food and a place to stay, and you’d be forgiven for forgetting this is a Marvel book rather than a romance story as he attempts to figure out who she is. He even tells her at one point that she reminds him of his favorite poetry and starts reciting it for her. He wins her over — who wouldn’t be? — and she eventually reveals him her name.
Though they’re happy together, ultimately falling in love, marrying, and having a daughter, the ticking clock of Partition serves as a constant reminder of both the stakes and the audience’s knowledge of the sad result for the two of them. The show addresses the rising tensions and the small ways in which their lives have begun to change when a neighbor brings them food from the market, as the villagers — the same villagers who once agreed to put aside religious differences and fight for freedom together — will no longer sell their wares to them because they are a Muslim family. While Aisha is sure that they can make things work, the unexpected appearance of Najma (Nimra Bucha) compels her to reconsider.
Najma is anxious that they return home as quickly as possible, and she need Aisha and the bracelet to do so. Aisha, who seems to be escaping not just the British but also Najma, buys herself some time by claiming she has to fetch the bangle from its hiding spot, then packs what she and Hasan can carry and takes her family to the train station. While she first relies on her husband’s reasoning to explain why they should go, he soon understands there is more going on than she is letting on, and she ultimately gives him a complete explanation. Or as much as she can explain at a congested railway station with the final train to Karachi set to depart. She begs him to keep their daughter Sana safe, hands her the bracelet, and runs in the other way to meet Najma, who fatally stabs her.
At this moment, the two realities collide, and Kamala travels back in time. She comes just in time to see Aisha’s death and panics, assuming that her great-grandmother was the one who ultimately reunited Sana with her father. But, as I predicted last week, the famed “trail of stars” that lead Sana home was all along Kamala. With her mission accomplished and her grandma safe, Kamala returns to the present day in what seems to be a matter of seconds, saving the viewers from an episode-long fight to return Kamala to the current day.
She comes just as the Veil that separates her world from the ClanDestines’ opens, and she kills the first of Najma’s companions who attempts to get through. Najma is blinded by her ambition to get home and thinks she will survive the passage. When Kamala’s pleadings for assistance fail, she appeals to Najma’s feeling of family, pleading with her not to abandon her son Kamran (Rish Shah). Instead, Najma sacrifices herself to seal the Veil, then passes her power to her son at the last minute. The talents emerge quickly in him, and the episode concludes with him going to Bruno (Matt Lintz) for assistance.
It’s unclear where the series will go for the conclusion next week. The Veil has closed, Najma is gone, and Kamala’s mother Muneeba (Zenobia Shroff) has discovered that her daughter is the “Light Girl” heroine they saw in New Jersey. However, the fact that Ms. Marvel seems to be building to a conclusion that will be more of a wind-down than a succession of confrontations and explosions is nothing short of a relief. As previously said, Kamala and her family and community have always been the show’s stronger points. It’s the focus on who she is despite the heroic background, rather than it being the only thing that draws you in.
Not to mention the episode’s strong focus on love and understanding. The narrative often returns to a line of poetry read by Hasan, “What you seek is seeking you,” and its meaning manifests itself in a number of ways. It may be literal at times, such as when Sana and Hasan are seeking for each other at the railway station. However, towards the conclusion of the episode, when Kamala and Muneeba have a wonderful mother-daughter bonding moment, it’s evident that both of them were looking for the type of understanding that was being asked from them.
Naturally, with the finale of a superhero series coming up next week, I’m not expecting 45 minutes of hugs and conversation — especially since the final shot is of the Circle Q where Bruno works exploding — but if this is any indication, I’m hoping that the finale will both resolve the outstanding conflict and give plenty of time for all the character moments we’ve come to love. In addition, Kamala has spent the previous two episodes creating her famous Ms. Marvel outfit. Let’s hope she puts it together like an Avenger next week.
Marvel versus DC. Who has the hotter female actors?
DC and Marvel are the two most well-known superhero film companies. There are several points on which fans of these two studios can’t agree, including which has the superior superheroes, which has the superior superhero team-up, which has the superior villains, and which makes the superior movies.
Yes, it seems like another argument is on the horizon. Marvel and DC aren’t shy about featuring stunning female leads since they know it draws in the crowds. In exchange for portraying some of our favorite superheroines, these ladies earn millions of dollars.
Discover who has exceeded the other in this respect.
Marvel VS DC
Scarlett Johansson as the Black Widow
Elizabeth Olsen, aka the Scarlet Witch
Gwyneth Paltrow – Pepper Potts
Captain Marvel (Brie Larson)
Valkyrie – Tessa Thompson
Dani Guererro – Okoye
Gal Gadot as Wonder Woman
Lois Lane, played by Amy Adams
Margot Robbie as Harley Quinn
Black Canary, played by Jurnee Smollett-Bell
Who do you believe has the sexiest actresses? Who is your top pick and why? Leave a comment, thanks!
Each and Every Show That Inspired the Disney+ Series WandaVision
WandaVision’s frequent allusions to classic television shows are a major part of its humor.
In January of 2021, WandaVision launched Phase 4 of the MCU, officially ushering in a new age of Disney+ shows. Indeed, it was the first time the MCU was seen on television, as it chronicled Wanda Maximoff’s (Elizabeth Olsen) reaction to the aftermath of Avengers: Endgame. In the end, WandaVision was a huge critical triumph, garnering a whopping 23 nods at that year’s Primetime Emmys.
WandaVision, as the first television series in the MCU, appropriately paid tribute to the medium of television by drawing inspiration from a wide range of programs throughout its history. WandaVision acknowledged a wide range of television classics by the end of the series, from The Dick Van Dyke Show to Modern Family. All the shows that served as models for WandaVision are listed here.
The Dick Van Dyke Show
The Dick Van Dyke Show, which follows the title man in his antics both at work and at home, is one of the earliest shows mentioned on WandaVision, appearing in the very first episodes. One of WandaVision’s primary inspirations comes from this episode. Matt Shakman, the show’s director, told Den of Geek that he and Van Dyke had lunch together to discuss the show’s production.
I Love Lucy
Featuring Lucille Ball as a New York housewife who dreams of becoming a star, I Love Lucy was a smash hit on television. Clearly, this program, along with The Dick Van Dyke Show, was an influence on the first two episodes of WandaVision. The most blatant example is the fact that couples could not be depicted in bed together during the airing of I Love Lucy. Two separate single beds were displayed instead of a double bed.
Featuring Lucille Ball as a New York housewife who dreams of becoming a star, I Love Lucy was a smash hit on television. Clearly, this program, along with The Dick Van Dyke Show, was an influence on the first two episodes of WandaVision. Couples could not be shown in bed together on television during the time that I Love Lucy was airing. Instead of a double bed, two single beds were displayed.
The Twilight Zone
The Twilight Zone, the only non-comedic source of inspiration for WandaVision, is another source of the show’s unique style. The structure of the show has a narrator guiding the audience through a series of spooky stories set in a realm named “The Twilight Zone.” Jordan Peele just recreated the series, but he stuck with the same basic idea. Jac Schaeffer, the program’s creator, discussed WandaVision’s impact on the series and its storytelling, highlighting the impact the show had on the development of Wanda’s magic and the resolution of the Hex’s mysteries.
Bewitched, originally shown on ABC in the 1980s, has been remade numerous times throughout the history of film and television, most recently as a box office smash starring Nicole Kidman and Will Ferrell. Starring in the show is Elizabeth Montgomery as a witch attempting to lead the life of a typical housewife. WandaVision, in which Scarlet Witch and Vision disguise themselves as normal suburbanites, finds an apt inspiration in these stories.
The Brady Bunch
The Brady Bunch was a popular show from the 1970s about a nuclear family that ended up blending and raising six kids together. The third episode of WandaVision, as part of the Marvel Cinematic Universe, plainly draws inspiration from The Brady Brunch, as the title card makes explicit reference to the show’s title show.
A family living in a Chicago public housing complex experienced nothing but good fortune. The actress playing Monica Rambeau on WandaVision, Teyonah Parris, confirmed this was a running gag, and that the show’s effect can be seen even in later episodes. Good Times originated in the 1970s as a spin-off of Maude, which was itself a spin-off of All in the Family.
In Full House, Bob Saget played a widower father who enlists the support of his brother and closest friend, both of whom were also single parents. The episode in which WandaVision transitioned into the 1980s TV era was inspired by this show. Having grown so much, Billy and Tommy had altered the household dynamic. It’s worth noting that the Olsen sisters, Mary-Kate and Ashley, were featured prominently in the ABC show Full House, which served as inspiration for the show’s design.
Malcolm in the Middle
The popular sitcom Malcolm in the Middle from the 2000s focused on the eponymous character, a bright kid from a working-class family who struggled to fit in. In the sixth episode of WandaVision, there were multiple references to Malcolm in the form of dialogue and the opening titles were a direct homage to his. Furthermore, exactly as Malcolm did in his show, Tommy did in WandaVision, breaking the fourth wall.
WandaVision’s seventh episode included numerous allusions to contemporary sitcoms like The Office, especially in its mockumentary-style format, which featured interviews and glances directly into the camera. While Vision and Darcy are operating the circus truck, Vision occasionally turns his head to stare directly into the lens. When Agnes recognizes the camera, she once again reveals herself to be Agatha Harkness. It’s only fitting that a reference be made to The Office, which has had such an enormous impact on contemporary television.
When it comes to television, Modern Family is up there with the all-time greats. The show centers on the Pritchett family patriarch, Jay, and how his three children and their families interact. In the sixth episode of WandaVision, Wanda addresses the camera directly in a mockumentary style reminiscent of Modern Family. Wanda’s home is also quite similar to the Dunphys’ in terms of color scheme, design, and general vibe.
Who is the Wonder Man of Marvel Comics?
We had been expecting you, Simon Williams.
The following contains spoilers for some of Wonder Man’s comic book history, but will give you an overview of his background.
Marvel Comics readers have been wondering when Simon Williams, aka Wonder Man, would enter the MCU ever since the introduction of Vision in Avengers: Age of Ultron. With the confirmation that Destin Daniel Cretton, the man behind Shang-Chi, will be directing a Wonder Man series for Disney+, some of the answers to that question began to emerge. And in even more thrilling developments, it appears that Yahya Abdul-Mateen II will play Simon Williams in the film. If you seen Watchmen on HBO, in which Abdul-Mateen II portrayed Doctor Manhattan, you’ll find this casting even more intriguing. As the villain Black Manta in the Aquaman film series, he is no stranger to the superhero genre. But that’s not why we’re here; we want to speak about Simon Williams and his role in the future of the MCU, and in particular the fates of two of the most beloved star-crossed couples in the MCU canon.
Who is this mysterious Wonder Man, anyway?
Wonder Man made his debut to readers on the cover of Avengers #9 in 1964. There was a banner that read, “Marvel Comics proudly introduces… Wonder Man, the newest, most dynamic surprise character from the world-famous House of Ideas,” and the cover art featured the looming heads of Thor, Captain America, Iron Man, Wasp, and Giant-Man looking down on their new superpowered foe. Even more so considering Wonder Man wouldn’t make it to the issue’s conclusion, it was a bold claim. Simon Williams was a normal man before he was kidnapped and subjected to “the most potent ionic rays” by Baron Zemo at his hideout in the Amazon Jungle, transforming him into a superhero with superhuman strength and invulnerability. What could possibly motivate such crazy research? The goal was to get Simon (now known as Wonder Man) into the Avengers organization and give him superpowers. In the end, Wonder Man decides to help the Avengers defeat Zemo, after initially agreeing with the plan. He pays the ultimate price for his brave decision. Zemo had poisoned him in secret and, after being deceived, had refused to give Simon the antidote. So long, Wonder Man.
The question is, how did Wonder Man make his way back? And if that was his last appearance, why is he getting a spinoff? In an event that would have lasting effects on Wonder Man and the Avengers, he was soon to play a pivotal role in the development of a legendary Marvel hero.
How Wonder Man are related with Scarlet Witch and Vision?
For four years and 51 issues, fans had to wait before seeing Simon Williams again in the pages of The Avengers. However, the style did not adhere to the norm for comic books. Unfortunately, he was not shown to be still alive or brought back from the dead. This guy wasn’t even a clone. Instead, he is shown to be instrumental in the creation of the synthezoid known as the Vision in the acclaimed story “Even an Android can Cry” by Roy Thomas, John Buscema, George Klein, and Sam Rosen. Something shocking is uncovered as the crew led by Iron Man investigates Vision’s origins and identity. Ultron, the villain, absconded with a valuable item, a “memory cassette” of Wonder Man’s brain. He put it to use in developing the Vision. Yes, in the comics the Vision is an android with a digital replica of Simon Williams’ brain, as opposed to the MCU, where he is formed via the combined efforts of Thor, Tony Stark, and Bruce Banner. The odd narrative may have ended there, but Wonder Man had more in store.
By revealing in Avengers #102 that Simon Williams had not been killed but had instead been in a coma since Avengers #9, Marvel Comics planted the seed for his eventual resurrection in 1972. Unfortunately for Simon, it wasn’t the Avengers but Kang, as part of his villain team Legion of the Unliving, that resurrected him in Avengers #131. Wonder Man’s relationship with Vision only grew in importance once he through a few more rebirths and officially joined the Avengers in 1977.
After living together for a while, the duo finally accepted their unorthodox connection and began to view each other as quirky but supportive siblings. Unfortunately, that was short-lived when a corrupt business destroyed Vision’s memory, rendering him emotionless. Simon’s understanding refusal to enable his loving wife Wanda to restore him via brain imprint donation to Vision was understandable. Because he had grown to love Wanda, even if she didn’t realize it for years. The affair was intense, but it ended when Wanda realized she still loved her one true love, Vision, too much to let him go.
What are Wonder Man’s powers?
What a fascinating query! The correct answer has evolved with the times, just like our favorite comic book heroes. We already know that his innate abilities granted him superhuman strength and indestructibility. His initial ionic experiments with Zemo gave him the foundation for his subsequent enhanced talents. Wonder Man appeared to be made entirely of pure energy after reviving from one of his numerous deaths, but the truth is more complicated.
Wonder Man has falsely claimed to be made of Ionic Energy on multiple occasions, however a more accurate description would be that it is embedded throughout his own flesh and bones. As a result of his extraordinary physiology, he can heal himself from wounds, fashion solid objects out of energy, and control magnetic fields. His peculiar abilities can be traced back to his past. Aside from that, Wonder Man possesses a host of classic superhero abilities, including flight, invulnerability, bulletproof skin, the ability to leap tall buildings in a single bound, extreme agility, and super reflexes. He also possesses latent powers, such as teleportation and shapeshifting, though he rarely employs them.
Isn’t it true that Wonder Man used to act?
Yep. Simon’s aspirations to become an actor are almost as well-known as his association with Vision. Wonder Man, who in the 1970s was a resident of the Avengers Mansion, left to strike out on his own. Simon left the Avengers #211 after Captain America attempted to downsize the squad to focus on his personal life in Avengers #211. He is now working with good old Hercules in his acting profession. He then tried his hand at acting before transitioning into the world of stunts in Hollywood, where he proved to be nearly unstoppable. Both West Coast Avengers Vol. 1 and his solo series Wonder Man detail that time period in his life. It’s easy to imagine that this will serve as a springboard for his Disney+ series.
What role Wonder Man will play in Marvel?
Simon Williams seems like a logical progression for the MCU after the events of WandaVision and the introduction of the memory-erased White Vision. The question that remains, though, is how the MCU will redefine the antihero in his pilot episode and throughout the franchise. The several possibilities we’ve discussed here show that this is so. Following a much-loved Marvel Cinematic Universe convention, this author speculates that Simon Williams was either an employee or rival of Tony Stark. The latter seems more realistic, given that his past in the ’80s comics was expanded to involve him competing with Stark Industries for cash.
It’s possible that the MCU will introduce the idea that Jarvis and eventually Vision were created using Williams’ coding skills or a physical brain imprint, giving him the crucial connection that the characters need. This would be a great opportunity for the MCU to further cement the brotherly bond between the two characters and bring him full circle back to Tony Stark. The Wonder Man TV show might also take place in the past to introduce audiences to the character and his background before he becomes part of the Marvel Cinematic Universe. That may be a fun way to introduce audiences to Wonder Man before he officially enters the current MCU, while also incorporating some of the hilarious hijinks from his time in Hollywood. It’s also plausible that this path may leave Williams in a coma, where the MCU’s latest villain can revive him.
It seems likely that Kang will play a role in Simon’s primary introduction to the MCU, given the comics and the time of the Wonder Man series. Including the Legion of the Unliving in the MCU may be a fascinating development. It’s also possible that White Vision is discovered by scientist Kang, who then links the new synthezoid to Simon. However, we believe that Simon will become well-established in the series before being presented to the main MCU, where he will become connected with White Vision and the Avengers after becoming entangled with a revived Scarlet Witch. During the Kang Dynasty comic that inspired the new film’s title, Wanda and Wonder Man actually break up in the comics.
We won’t know until Disney+ launches the much-anticipated MCU series, though.
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